L'OREAL ACCESS
As always, the energy was buzzing between LPPD crew members – an elite cast from L’Oréal Professionnel, Redken and Matrix, jamming together across an extended set sounded to their very own DJ. The vibes were strong indeed.
Sam James, Matrix
“I’m essentially creating an illusion working with a 3D vertical part line and excess height. It’s a more avant garde look and will transform on stage from something edgy and sleek, to a more light-hearted, 60s style. Colour techniques include root smudge and balayage with coral peach and sunset pink hues applicable to both a salon and street context.”
Kobi Bokshish, Matrix
“Today ‘m re-creating an archive look from 2015. The mullet has been enjoying a resurgence yet again, and this takes the fundamentals and pushes them into an artistic space with a combination of classic barbering, fashion and some old school techniques.”
“I’ll be transforming the look on stage with the addition of extensions to show how to add volume quickly and easily. The colour was performed by me and leans into colour melting techniques with neon orange and yellow tones.”
Matt Johnson, Matrix
“Working with a Marie Antoinette silhouette, this look is all about bigger and better – taller, wider, wilder. I’m going to introduce fishnet tights, apply over the hair and ruche texture through before placing pre-done finger wave pieces underneath the net for added drama. Product heroes today include Matrix Amplify Hairspray, Texture Builder and High Riser Texture Powder.”
Adam Ciaccia, Matrix
“My focus is on colour today, and essentially cutting a shape that activates it. There is nothing pre-done about my look … everything will be performed onstage, including the colour work. We’re starting with a level 1 base, and I’ll be adding strong, deep violet tones with splashes of orange. The length will be taken off and the focus will be on framing the face and layering in texture to release the modern colour scheme throughout.”
Ash Croker, L’Orèal Professionnel
“Today I’ll be showcasing my favourite, signature balayage technique, essentially reiterating how easy and transformative this style of colour can be. What you can see now is the result of a full colour correction (brown to copper), and I’ve applied an INOA ammonia free fashion toner for an apricot edge. These pieces I’m building in will be painted onstage to demonstrate the technical aspect, before they’re removed to unveil the final look, as she’s leaving the salon.”
Dani Solier, L’Orèal Professionnel
“My focus is colour and today I’ll be sharing an editorial shadowing technique that I’ve been weaving through our collections over the past few years. It’s been a work in progress with each application an opportunity to refine and evolve for something that feels really different. The process is a combination of techniques involving weft colouring, smudging and shape work, and can be taken and manipulated further to suit the story or style of our guests’ next collection or fashion client.”
Jamie Furlan, L’Orèal Professionnel
“I will also be sharing an editorial look that has been in the process of refinement. It was a standout of our 2021 JOURNAL shoot with L’Oréal Professionnel, and one of my strongest looks in previous collections. The look builds from a multi-textured technique whereby the hair is prepped, set, and set again, before being unleashed into its full, voluminous effect. Of course, this is all about layering a cocktail of products including L’Oréal Professionnel Volume Lift Mousse, Full Volume and Infinium hairspray.”
Peter Thomsen, L’Orèal Professionnel
“For me, I’m all about creating beautiful, shiny, commercial hair but most importantly, I’m about the principle of less is more. The colour I’m working towards today is driven by high impact results and minimal sectioning … as an industry, we show a tendency to over colour, so I want to educate on the benefits of pulling back, finding balance, and creating something suitable to the client in front of you.”
Justin Pace, Redken
“Today I’ve gone ‘uptown New York old Justin Pace’ and introduced a bit more of a grunge vibe. It’s about reviving old techniques with an undertone of aggressive darkness, so it’s not quite so beautiful anymore. The moodiness will show through textured black panels for a more imperfect feeling relevant to the modern beauty ideal.”
Rachel Busby, Redken
I’m all about versatile transformations, so today I’m demonstrating a technique called the butterfly effect, essentially showing how small change can make a dramatic difference, later. An extension of the theme, our styling will take on a victory roll-esque shape and manifest ideas of emerging from a cocoon of change. The colour scheme will work largely with pastels and showcase how, particularly as blondes, we can really transform a person’s hair without significant commitment to a full colour change.”